Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

A year after the death of his long-term partner, Otto goes on a road trip eventually hooking up with a commune full of loopy, equally damaged souls.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Minus Zero is better than the previous film in some ways, and inferior in other ways.