Judith Endicott, the daughter of a wealthy eastern banker, vamps Philip Randolph, an Arizonan, when he comes east to talk business with her father. Philip proposes and discovers that Judith has only been kidding him along. He returns angrily to Arizona, and the elder Endicott, accompanied by his daughter, follows him west. With her father's permission, Richard "kidnaps" Judith and takes her to a deserted Indian cliff dwelling, where she must cook and care for him. Bert Durland, Judith's fiancé, follows after her, and his Indian guide steals all of the horses. Judith and Bert and Philip start back to civilization across the desert, and Bert goes berserk from the heat. They are rescued by cowboys, and Judith returns east, "kidnaping" Philip and taking him with her.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
