Stockholm, February 1968. A petty theft spirals when Sebbe and Adam accidentally destroy the pocket watch meant for an unknown client. Desperate, they turn to watchmaker Karl for an urgent repair, but their anxiety soon shifts to a darker fear. Confined to Karl’s cramped workshop, distrust and rising paranoia transform their predicament into a claustrophobic psychological chamber play. As midnight nears, buried truths and old revenge surface.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
A teen comedy that nobody wants to see.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
