A Homosexual Cowboy is Still a Cowboy
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!

Originally broadcast by KCET (PBS) on their dramatic showcase series, "Visions," this sweet, quiet film is set during World War I. It is the story of Amy, a proper, but lonely housewife whose husband is away at war. She finds solace in a friendship with a more worldly female photographer, only to have her entire world turned upside down when the friendship becomes genuine love and she is forced to choose. Groundbreaking for its powerful yet non-prurient portrayal of lesbian first love.
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Movie explained - Despite the glaring flaws present, Young Adult Matters is held together by the performances from Yoo Mi and Hani, who keep the story afloat. Though an interesting story, Young Adult Matters is worth watching solely for these performances. Among its brilliant performances is a messy, self-indulgent, and at times overwhelmingly brutal story with more potential than follow through.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.