Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

David Kinsella, funded by the Norwegian Film Institute, arrived in North Korea ready to make a documentary about a young poet at the invitation of the North Korean government, but filming hadn’t gotten very far when Kinsella realized that everything he was filming was fiction not fact, even the young poet. Each day the government brought in extras and staged every scene too essentially create a propaganda film for the country. Not to be deterred Kinsella took the manipulation of his work in stride and started to capture large expanses of industrial areas to alter later with animation and create an amazing film.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.