Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When a simple boundary dispute between two neighboring households escalates, a quiet Moldovan village is drawn into a chain of comic conflicts fueled by pride, old grudges, and half-told truths.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.