“Young Washington” Is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

The 2005 discovery of a cannonball, buried for 138 years in a paddock, throws Waimate into turmoil. It is all the Maori locals need to confirm their long-held belief that they were forcibly removed from their tribal lands, in a bloody 1866 battle. The hotly contested claim eventually ends up in the District Court and on the lens of cameraman Dave who captures all the arguments, frauds and forgeries of the townspeople, in a cinema verité mockumentary style.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.