The Lion King (2019) — Did Disney actually learn anything?
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"

In the Colombian-Venezuelan Andes, a peasant works the land under exploitative conditions to ensure the survival of his family. His son is ill, his wife is pregnant, and he himself reproduces the violence that surrounds him. With no money for medical treatment, one night he gets drunk and is arrested. In jail, in a burst of fury, he rebels against the town's political boss in the only way he can. La Paga was a pioneering work of social and political cinema in Latin America, released the same year as Barravento, Glauber Rocha’s debut feature, and anticipating movements such as Third Cinema. Influenced by Italian Neorealism and Soviet cinema in its aesthetics, forms, and ideological approach, the film uses the archetypal representation of characters and the social and economic forces they embody. Based on the director’s childhood observations in his hometown, La Paga denounces the exploitation of the rural peasantry.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.