Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

It's summer in Tunis. Hedi has just missed his baccalaureate for the third time. His father Houcine retired, but must give a last service to his boss Moncef: keep his villa while the latter spends his holidays in France, on the Côte d'Azur. Hedi, whose only desire is to leave the country, will, in spite of himself, follow his parents to the villa. He regains hope when he meets his neighbor Ramla, whom he falls in love with. But the arrival of his brother Raouf, a businessman who lives abroad, will make him discover a society in decomposition ...
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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