EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Arbella is a charming village in Corsica. It's such a pleasant place to live that Monsieur Lauriston has decided to spend his old age there with his wife Marthe. Encouraged by Giuseppe, the owner of the Napoleon bar, he is promoted to mayor. This brings him the wrath of Captain Bartoli, owner of the Café Bonaparte, a self-styled pirate and navigator who has long aspired to this honorable position. Further complications arise when Lauriston's nephew romances Antonia, the daughter of Amoretti, the last bandit of honor in the area and the town's main tourist attraction.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.