"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Paris is prey to an invisible terror against which the police can do nothing: a sinister organization that sows chaos and death. The intrepid journalist Philippe Guérande and his partner embark on a long crusade to put an end to the crimes of the Great Vampire and Irma Vep, his dangerous accomplice. (A ten episode movie serial.)
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.