
Under pressure from their bloodthirsty boss, several working-class women, employed by manufacturer Mr. Duralac in a remote French countryside factory, are subject to vampirization while accomplishing their night shift.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.