The film "Los Últimos" takes us into post-apocalyptic not-so-distant future in which there is war over water. This war reaches Latin America and the story follows a young couple trying to escape refugee camp in Bolivia and find better life in the west by the Pacific Ocean.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
‘A Good Person’ makes it clear that forgiveness is hard.
