I Wouldn't Recommend "The Last House" If It Was The Last Movie On Earth
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

Nabat is a victim of feudal relations in the circle of the modern Asian elite. Having found a young wife, a rich and high-ranking boss drives out his ex-wife and daughter Nabat from the house. The mother dies in a car accident, after which the girl is forced to make a living dancing for rich guests at house parties. A bloody drama is played out, the consequences of which are being investigated by two investigators.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.