The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A film about the "new world order" that first became visible between 1999, the year in which this film was begun, and 2005, when it was completed. It presents an Orwellian state of endless war that seems to have established itself all over our planet, one which the Catalan philosopher Eduardo Subirats calls a "besieged existence."
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Not every silence is empty. Some are filled with things too heavy for words.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.