We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.

Yugoslavia, late 1980s. Parents and son are hastily making the final preparations for Christmas Eve dinner. Their beloved uncle will be turning up from Germany any minute now. But, hang on, are things really as they seem? An unnerving debut à la Haneke that cleverly balances on the edge of farce and oppressive thriller while ingeniously toying with narrative structure.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.