Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Set against the riverine landscape of Vietnam’s Mekong Delta, Ai Thương Ai Mến centers on Hai Mến—a woman who loses both parents and is left to shoulder her family’s burdens alone amid debt and relentless personal tragedies. Along her arduous journey, she encounters Khả (Ngọc Thuận), a carefree, pleasure-seeking young heir who unexpectedly falls deeply in love with her, giving rise to a romance that is at once tender and heartbreaking. In parallel, the pure and gentle love story of the young couple Chờ and Thương emerges as a rare ray of light, before all three narrative threads are ultimately drawn into trials that deeply move the audience.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.