
They started out as average, unexceptional men of their time. Fishermen, farmers, local magistrates. But their dedication to a prophetic Jewish preacher in the backwaters of the Roman Empire transformed them into revolutionaries and, in the process, changed the world itself in ways that would reverberate across time for two thousand years. Now, discover the extraordinary, untold stories of the men chosen by Jesus to bring God’s plan to the world. Among them: Peter, the rock upon which Christ would build His new religion; James and John, the fiery-tempered “sons of thunder”; Matthew, the tax collector later murdered by cannibals; Simon the Zealot, the anti-Roman fanatic eventually “cut to pieces” preaching in Spain; and Judas Iscariot, whose betrayal would be paid for with silver and suicide.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement