'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

They started out as average, unexceptional men of their time. Fishermen, farmers, local magistrates. But their dedication to a prophetic Jewish preacher in the backwaters of the Roman Empire transformed them into revolutionaries and, in the process, changed the world itself in ways that would reverberate across time for two thousand years. Now, discover the extraordinary, untold stories of the men chosen by Jesus to bring God’s plan to the world. Among them: Peter, the rock upon which Christ would build His new religion; James and John, the fiery-tempered “sons of thunder”; Matthew, the tax collector later murdered by cannibals; Simon the Zealot, the anti-Roman fanatic eventually “cut to pieces” preaching in Spain; and Judas Iscariot, whose betrayal would be paid for with silver and suicide.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
The trainwreck is hot but tame.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.