
"Sidewinder Steve" returns to civilization to find that his ore specimens show he has discovered a turquoise mine. He wires his friend, Ace Brent, the capitalist, who has a half-interest in his discoveries, to furnish him with money to make the trip back across the desert to officially stake his claim. But "Lonney" Smith, telegraph operator at the town and secret spy for The Syndicate, Brent's rivals, informs his employers of the new "strike," and they dispatch their agent Meyers to thwart Brent. The latter, recovering from injuries received in a previous encounter with sheep herders, consents to allow Barbara to handle the affair. Her admirer, John Wallace, follows her to the desert town, fearing for her safety. The action then develops into a thrilling three-cornered race across the desert between Barbara and John, Lonney and Meyers, and a gang of local adventurers headed by "Dry Wash" Sexton, proprietor of the "saloon and hotel."
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.