
Yasu plays guitar on the street every night. A young stranger, Dare, stands in front of him. Yasu instantly feels a faint infatuation with Dare, who expresses a straightforward opinion, and takes him to his apartment, where he has no place to return to. The room was occupied by Yasu's friends Otto and Bohra, a comic duo, and Sekken, who works part-time with Yasu and whose dream is to become a full-time employee. Dare felt comfortable in the atmosphere. Yasu told him to stay as long as he wanted. And soon her feelings for him grew stronger.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.