'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

Documentary debunking the conspiracy theories surrounding the first moon landing. Amid an era of global political suspicion the greatest conspiracy theory of all time casts doubt on what should be the greatest achievement of the age. Did the Apollo 11 astronauts really land on the moon, or was this an elaborate hoax by NASA to satisfy political demands? Bill Kaysing the former head of technical publications for Rocketdyne is considered, by many, to be the father of moon conspiracy theorists. Both he and Ralph René the author of NASA Mooned America set out their stall with all the evidence supporting their theory: Contradicting shadows in photographs, moon walk was a slow motion film, no stars in night sky, flag fluttering in a breeze, lack of Computing power to land the lunar module, can't manipulate camera to take photographs, dust below lunar module should have been disturbed, film would be damaged by radiation... etc.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.