One of the early landmarks of Belgian colonial urban architecture was the Forescom tower. Built in 1946, it was Leopoldville’s first skyscraper, and one of the first high rise buildings of Central Africa. Pointing towards the sky, it also pointed to the future. It embodied and made tangible new ideas of possible futures, and as such the tower materially translated and emblematically visualised colonialist ideologies of progress and modernity. The video The Tower: A Concrete Utopia offers a guided tour by ‘Docteur’, the owner of this remarkable tower situated in the municipality of Limete. Conceived and realized by ‘Docteur’ without the help of professional architects, the construction of this as-yet unfinished tower was started in 2003.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
A family drama is woven with quiet yet powerful forces of words and nature.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
