It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

At 83, Chicago legend Buddy Guy remains the standard bearer for the blues, an icon determined to see the art form live on long after he’s gone. Enter guitar phenom Quinn Sullivan, who has been mentored by Guy since he was a kid. This stirring documentary, amplified by electrifying musical performances, charts the guidance Guy himself received from the likes of Muddy Waters and Howlin’ Wolf while observing the Grammy®-winner passing his wisdom to the next generation.
This is not a story of oppression but a story of liberation.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.