A l'automne 1964, la construction des 52 derniers milles du chemin de fer du Grand lac des Esclaves est en voie d'achèvement. Une bande hétéroclite de travailleurs instables, ivrognes et voleurs, est recrutée dans les tavernes par Fisk, contremaître aux poings d'acier. Martin Bishop, dix-huit ans, arrive comme nouveau pointeur au sein de cette équipe, le précédent pointeur ayant « disparu ». Bishop découvre rapidement des faits anormaux dans ce camp isolé; celui qui ne suit pas les règles de Fisk risque d'être expulsé du camp dans la nature sauvage et hostile. Fait surprenant, tous les hommes qui ont été expulsés demeurent sur la liste de paie... Le refus de Bishop de jouer le jeu de Fisk lui vaut d'être expulsé dans la forêt, dont l'immensité devient sa nouvelle prison. Incapable de s'échapper, Bishop découvre des aptitudes à la survie qu'il ne croyait pas posséder.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
