Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Tiger's Coat poster

The Tiger's Coat (1920)

The film begins in the southern California home of Alexander MacAllister (Lawson Butt) where he is confronting Andrew Hyde (Miles McCarthy) who is accused of crooked dealings. Alexander threatens to expose Hyde, and Hyde defies him to do his worst. A banker friend tells MacAllister, "Why don't you get married?" They are interrupted by an unexpected caller on that rainy evening, a young lady, Jean Ogilvie, the daughter of a Scotsman family friend from Mexico. He puts her up and later remarks that she has dark skin for a Scottish lass. "Mexican sun," she explains. "I expected to find an old man," Jean remarks to herself.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The film begins in the southern California home of Alexander MacAllister (Lawson Butt) where he is confronting Andrew Hyde (Miles McCarthy) who is accused of crooked dealings. Alexander threatens to expose Hyde, and Hyde defies him to do his worst. A banker friend tells MacAllister, "Why don't you get married?" They are interrupted by an unexpected caller on that rainy evening, a young lady, Jean Ogilvie, the daughter of a Scotsman family friend from Mexico. He puts her up and later remarks that she has dark skin for a Scottish lass. "Mexican sun," she explains. "I expected to find an old man," Jean remarks to herself.

Rating:
Genre:Drama
Directed By:Roy Clements
Written By:Jack Cunningham
In Theaters:11/8/1920
Box Office:

Runtime:55 minutes
Studio:Dial Film Company

Articles You May Like


Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger