A Simple Mix-up has Barbaric Results in 'Barbarian'
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
The Three Tenors - Birth of a Legend
On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.
Rating:
Genre:Documentary, Music
Written By:
In Theaters:
Box Office:
Runtime:57 minutes
Studio:C Major Entertainment, ZDF/Arte
Articles You May Like
A child’s guide to raising himself: “Boy”
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
“Jingle Jangle: A Christmas Journey” is a Netflix Christmas Treat
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
"Thunder Road": Guilt, Grief, Regret, and Suicide
"Thunder Road" presents the grief that comes from a family member taking their own life.
Honey Don't: Sizzles, Before Fizzling
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Review: The Roses – Marriage and the Sweet Taste of Revenge
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.