
Bob Beemis comes to New York City hoping to get his family entrenched in the high-society circuit, but only succeeds in making friends with one person in the social whirl, Archie de Rennsaler. They party with a couple of chorus girls and Bob falls in love with one of them. His uncle arrives from the West to check out his progress, finds there has been none, and closes out his bank account. What's a poor rich-boy do do? Well, he could enter his horse in a really, really Big Race.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.