‘Black Widow’ Is About Yelena, Not Natasha
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.

A simple organic fruit farmer Rong Guang (Wu Kang-Ren) is raising his son Feng (Chen Yu-Cheng) alone in a small rural community, although with poor harvests and little money, their lifestyle is meagre. Elsewhere Feng’s mother Yi Ying (Alice Tzeng), now a successful businesswoman is being pressured by her husband Chung Hao (Tang Guo-Zhong) to have children something she strongly resists. Ying reveals that she already has a son, feng, and that he may be Chung Hao’s after all, so they begin proceedings to take feng back for themselves which Rong Guang refuses to let happen. Chung Hao demands a DNA test but before this can happen, Rong Guang collapses and is taken to hospital, forcing him to make some drastic decisions for Feng’s welfare.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.