Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

After a self-exploratory workshop called “Primitive Voice”, Mihai and Octavia decide to embark on a painful and uncomfortable journey within themselves. Using their voices in unconventional ways along this transformative process, they both confront memories, emotions and patterns of behaviour which have kept them stuck into their past. Guided by the voice therapist Jean-René Toussaint and by a strong desire to find their inner freedom, they come to realize that meeting themselves brings them closer to the ones they love.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.