The Terminator (1984)

If there’s one thing everyone hasn’t gotten enough of lately, it’s reboots. (Except me, I’ve had enough). Add a multiverse and you’ve got what should be a successful formula. While the Charmed reboot did very well in the beginning, its viewership dwindled as the series progressed. Originally airing in 2018 and finishing its final season in June of this year (season 5 was cancelled by the network), this magical reboot failed to charm fans of the original series.

The Charmed reboot is quite a departure from the beloved 90’s hit show starring Holly Marie Combs, Alyssa Milano, Shannen Doherty, and Rose McGowan. Still centered around sisterhood, the Charmed reboot features three sisters, Maggie (Sarah Jeffery), Mel (Melonie Diaz), and their long-lost, older sister, Macy (Madeleine Mantock). The series opens with the mysterious death of the mother of Mel and Maggie Vera. Similar to the original series, Mel and Maggie are unaware they descend from a long line of magical blood. While in the original Charmed it is the return of Phoebe Halliwell that leads to the activation of the power of three, in the reboot, it is the arrival and discovery of long-lost sister Macy Vaughn that brings about the witches’ powers.

There are more similarities reminiscent of the original show, such as the introduction of their white lighter (played by Rupert Evans), a magical being that is meant to protect and guide the charmed ones. The reboot even delves into a romantic relationship between the white lighter and one of the charmed ones. The world created in the Charmed reboot, however, varies greatly from the familiar (and slightly corny) realm the Halliwell sisters inhabited. The threats the sisters face become increasingly dark throughout the series. The tone of the show is at times more maudlin than fantastical. Perhaps the biggest change is the diversity of the series cast and the inclusion of intersectional feminism through Mel’s career and the passions and identities of the three sisters.

Now, before doth thou protest, I believe in giving shows their due. Charmed was created during a time when the idea of “feminism” was a dirty word, mostly reserved for crazed, bra-burning radicals that hated men. The 90’s were a complicated time for women. While we had made many historical gains and were a far cry from the rigidity and control of earlier times, we weren’t at the end of the tunnel yet—we still had (and have, sigh) a long, long, way to go. Up until relatively recently, most women did not want to associate themselves too closely with the movement. They felt the pressure to stand up against injustices and advocate for their fellow women while at the same time, wanting to remain desirable to potential partners and avoid the socially undesirable label of “feminist.” This cognitive dissonance in our collective minds made it difficult to take too hard of a stance—underplay the movement and you felt like a sell-out—get too involved, and you became a social pariah.

James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.

Today, Cameron’s film is labeled a science fiction classic. In all honesty, it’s a lean and mean sci-machine, layered with character exploration, ongoing suspense and gritty action. The practical effects create an atmosphere of immersive proportions, complete with miniatures, stop motion, and puppetry. At every turn, Cameron molds his tale into a horror film of sorts, building up the Terminator’s unstoppable nature. The mechanical creature’s formidable characterization is most apparent during Cameron’s bruising action scenes, which possess a raw sense of power. These set pieces impress from a visual perspective, but credit must be given to composer Brad Fiedel, whose synthesized score cinematically bolsters this fast-paced narrative.

Cameron has always been a filmmaker who delivers satisfying spectacle. His knack for visual storytelling is unbelievably expansive. But overall, Cameron’s visual impact is brought to life through the powerful utilization of character. In very subtle ways, he focuses on the adversity that plagues his protagonists, and as the film nears its end, he focuses on the bond between lovers. As a result, the film has an abundance of narrative weight.

When it comes to social diversity, “The Terminator” isn’t the most impressive film ever made. However, it’s inclusive pieces are extremely respectable. The late Paul Winfield (a talented African American actor) plays Ed Traxler, an ethical police Lieutenant. Even in a supporting role, Winfield makes a huge impression, giving off feel-good vibes that relax the propulsive storyline.

Cameron is widely known to be a filmmaker who creates strong female characters. Oddly enough, “The Terminator” was the first film to showcase Cameron’s knack for female-oriented storytelling. As Sarah Connor, Linda Hamilton turns in a legendary performance, consisting of purity, fragility, and relatability. She reacts like any normal person would, and as a result, we are able to latch onto her.

The characters that made the cut are in essence — girls that kick butt, challenge stereotypes/gender norms, and are just in general, great characters to begin with. Who says a girl can’t have some spunk?

Matilda is a special girl with telepathic powers and a brilliant mind for her age. She frequently stands up to her ruthless principal and parents with both her smarts and psychic abilities.