Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
