Docunight Presents: Iranian Women's Stories
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
The Telephone (2020)
A witty, modern digital adaptation of Gian Carlo Menotti’s 1947 one-act romantic comedy opera, relocated from its original Manhattan setting to the bar of the King’s Theatre in Edinburgh. Earnestly lovable Ben attempts to propose marriage to Lucy before catching a train at Waverley Station, but his stuttering efforts are constantly frustrated by her complete obsession with her mobile phone. Commissioned by the Edinburgh International Festival for the 'My Light Shines On' lockdown project.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A witty, modern digital adaptation of Gian Carlo Menotti’s 1947 one-act romantic comedy opera, relocated from its original Manhattan setting to the bar of the King’s Theatre in Edinburgh. Earnestly lovable Ben attempts to propose marriage to Lucy before catching a train at Waverley Station, but his stuttering efforts are constantly frustrated by her complete obsession with her mobile phone. Commissioned by the Edinburgh International Festival for the 'My Light Shines On' lockdown project.
Rating:
Genre:Music, Comedy
Written By:Gian Carlo Menotti
In Theaters:8/8/2020
Box Office:
Runtime:25 minutes
Studio:Scottish Opera
Cast
Articles You May Like
Violation & The Misused Shock-Horror of Sexual Assault
'Overcast' - MiamisFF Review
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
A Conversation With the Filmmakers of 'When Men Were Men'
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
"Enola Holmes 3" Screws Up Its Main Character And The Worldbuilding
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
The Rise of a Kindhearted Comedy Hero: The Anti-Toxic Masculinity Message of Brendan Fraser Films
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.