“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Paul is dead, killed at his own party. Everyone is a suspect, and most of them had a motive. Written and performed by Emily Head, directed by Guy Unsworth, and filmed live in one take, we meet each suspect to see how they react under interrogation, and see if the mystery can be solved. The stage at the New Wolsey Theatre becomes a complex cage (designed by David Woodhead) in this Original Theatre Online premiere. Playing every chatacter, Head uses different accents and subtle physical changes of facial expression or mannerisms to define each character. Paul is slowly unmasked as someone many would want to harm, and a twisted story unfolds through the different accounts we may or may not want to believe. It is clear something is drastically wrong in this psychological thriller.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Women have always been integral to science fiction, and these amazing women prove why.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
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Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.