Liu Huanrong works in Changqing oil fields, China's second-largest onshore oil and gas field located in Inner Mongolia. A devoted employee for over thirty years, he spends his free time building a swing and running after his young female coworker, who recently arrived and has only one thing in mind: fleeing the isolated place to return working in the big city. An unexpected mishap brings Liu back to his family in Xi’An, the 8 million inhabitants capital of Shaanxi Province. He will have a tough time reconnecting with his estranged spouse and adult daughter, but also with a very different capitalist society compared to thirty years earlier.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
