“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."

SUPER, An unorthodox superhero with no known powers, identity, or really anything for that matter; has to stop his arch-nemesis: Evil Jake, from ruining the wedding of his best friend, Gadget Mechanic. All-the-while, his manager struggles to keep financially afloat after SUPER’s reckless behavior forces him into a movie deal. Unfortunately, it's not easy making a movie about a superhero with virtually no distinct traits.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.