When Felipe’s ex-girlfriend breaks his heart, it feels like it’s the end of the world – and he’s not wrong. A strange zombie plague is unleashed on the paradise beach his friends have taken him to get his head in the right place. This is how the hectic pursuit for survival begins, where telling apart the living from the dead becomes the hardest part. Felipe will do whatever it takes to save his life, his friends’ lives and Ana’s life, a beautiful and problematic girl. Who would’ve guessed a zombie apocalypse would be the beginning of a new life and new love?
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
