Shang-Chi: Mental Health and Healing, Marvel Universe, and Awkwafina Humor
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.

Raymond Beahan, a young chap from the city, pays a visit to his uncle, John Purcell, the sheriff. The day after he arrives, he dresses up in his uncle's hat, cartridge belt, chaps, etc., and is about to take an old gun from the wall to put in his belt when his uncle asks him not to take the gun, as he prizes it very highly. He then tells the boy the story of how the gun came into his possession. The story is so vivid to the boy, that when his uncle leaves him to round up some bandits, and he is left alone in the cabin, he falls asleep and dreams the same story his uncle has just related to him, only HE is the hero.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.