A fictional story within the historical context of the disastrous flood that engulfed the Dutch coastal province of Zeeland in 1953. When their farmhouse is destroyed by the flood, teenage mother Julia gets separated from her baby boy, whom she kept hidden in a box. She is saved from drowning by a young air force lieutenant, who agrees to go help looking for Julia's little son.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
