
Working with symbols, playing with shadows, questioning the points of reference of identity: a woman weaves her web in an abandoned factory to ‘poetically inhabit’ the world.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.