Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

On a stormy night in Rome, Anna arrives at her daughter Alice’s apartment with a devastating confession: their entire family history is built on a lie. Twenty years earlier, after a horrific accident that nearly cost Alice her leg, Anna claims she made a pact with a mysterious Stranger to save her. But the miracle came at a price. What she believed was a single desperate bargain has in fact unleashed a spiraling chain reaction — a domino effect of increasingly dark events that have haunted their lives ever since. Now, the Stranger has come to collect. And Anna is convinced that only Alice can break the spiral and set things right. But at what cost?
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".