There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction

Image of a cinematic camera, described off by a female voice. Two students talk about film school. In a classroom, students stand up, one by one, attack and murder a classmate; the wallets fill up with corpses. A boy dances naked in front of a screen on which different images are projected. At the top of a platform, a man in a suit speaks to two naked young men who crawl across the floor. Two boys with clown makeup shed tears looking at the camera. Then they get in a car. Red spots explode and spread slowly across the screen.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.