Inspired by Chuyện Người Con Gái Nam Xương and Đèn Âm Hồn, the story is set in a rural village in Northern Vietnam during the feudal era. Thương, a mother raising her son Lĩnh alone while awaiting her husband's return from war, faces eerie events after Lĩnh accidentally discovers a mysterious lantern. The boy begins calling the shadow cast on the wall his father. According to the village shaman, the lantern is a đèn âm hồn, capable of summoning vengeful spirits. Strange and haunting occurrences unfold, leaving Thương and the villagers to question: is the shadow truly Lĩnh's father or something far more sinister?
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
