The mockumentary opens with the line: “In the summer of 2010, Pleasantview witnessed a series of killings no one could explain... except the children.” Over a span of two weeks, five Sims are found dead under eerie and impossible circumstances — strangled in locked rooms, drowned in empty pools, or simply vanished. All the victims had previously reported seeing “the pink one” — a term children use for the elusive, silent figure known as the Social Bunny.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
