How Batman: Soul of the Dragon Successfully Sidelined The Dark Knight
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.

On the eve of the New Year, several children write a letter to Father Frost asking him to send them a Christmas tree for the holiday, and then they make a Snowman who should take the letter to the magic forest. When midnight arrives, under the beat of a clock, the Snowman comes to life and, together with a small yard puppy, nicknamed Druzhok, sets off in search of Father Frost. (Note: Released in the United States as Spunky the Snowman in a shortened version of approximately 8 minutes.)
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.