“Dreaming Whilst B\@*k”
Masterful satire that shines a light on the struggles of Black creatives.

Good night. All tucked in. But then the snore begins. What starts as a woman's irritation of her boyfriend’s snoring curdles into obsession, and sleeplessness mutates into something monstrous. Parasitic, the snore burrows into her mind. Her world shrinks to the rhythm of his breath. Reality warps. The house becomes a fever dream of noise and rage. By morning, the question remains: who’s the real monster? The snorer, or the one who can’t bear to hear it?
Masterful satire that shines a light on the struggles of Black creatives.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
This fantasy musical movie is an origin story about the title character.