'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

An ordinary beer saleswoman Lyubasha accidentally became an advertising star and became famous throughout the country. Advertising agency manager Zhora is proud and happy, her parents are happy, her aunt and uncle are happy, only Lyubasha’s boyfriend Lesha is deeply unhappy, who is jealous of Lyuba for everyone and even for advertising.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.