Harley-riding Angel plays to win in her fight against a slavery and prostitution ring that abuses young runaways -- It's a life-and-death game in which video-games hold the clues, and the only way to win is to kill without conscience. The chill of each killing drives Angel into the arms of anonymous lovers -- a desperate attempt for affection -- but her ex-boyfriend George is watching ... In a demented rage he stalks her through her steamy video-arcade reality. But when the game is over and the high score is counted, will Angel be able to walk away?
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
