'Peter Rabbit 2': The Runaway Hare
The second film takes us on Peter's journey to be understood.

Julie Yeh Feng stars as Hsiu Hsiu, a beautiful singing shepherdess who falls head over heels in love with a handsome boatman named Liu Ta Lung. Unfortunately, she can't afford to marry her new beau because her father has racked up numerous debts due to his uncontrollable gambling addiction. And to make matters even more complicated, there's a rival suitor who promises to pay off all of her no-good father's debts on the condition that he is given Hsiu Hsiu's hand in marriage. She initially declines his offer, but starts to get jealous when she sees Ta Lung getting a little too close for comfort with another woman. In retaliation, she starts flirting with her possible benefactor/husband-to-be. But what Hsiu Hsiu doesn't know is that her jealousy isn't based on any actual unfaithfulness, but on an unfortunate misunderstanding!
The second film takes us on Peter's journey to be understood.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
A family comedy that combines fantasy and normal school life.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.