Newlyweds Megan and Andrew have just moved into their dream home with aspirations to start a family. But soon strange events start happening. Voices and shadowy figures haunt Megan, and even Andrew, starts questioning his own sanity as their marriage is being torn apart. The visions grow increasingly real..and threatening, yet Megan is unwilling to relinquish her home. When the appearance of a mysterious priest unveils the truth behind their nightmare, Megan's reality takes a desperate turn that her haunting visions never could have predicted.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
This horror movie combines elements of horror and babysitting with Black representation.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
