
The last moments of life of WW2 soldiers are dissolved in the depth of the Mediterranean Sea, among emotions and thoughts. While sinking inexorably in the fascinating and cruel sea, love echoes in the letters of a husband soldier to his spouse. Today we can still hear those cries arise from the sea. “There’s always a red sea, a living or dead sea that appears in front of all wandering men in search of a home.” Stefano D’Arrigo, Horcynus Orca.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.